06.19.12 - 09:10am
Did another press thingie for Meeuw Muzak a while back. Next one I’m doing is for a Harry Merry 7″!
Meeuw Muzak 038
Chris Imler: Vorwärts
Chris Imler’s 7″ is a real hit!
Chris Imler returns here on a 7″ with a straightforward appellation to his new one-man bang-gang: IMLER. This new waxing on the Meeuw Muzak label brings us a spirited pair of ear-jingling primeval drumtasms, the first a jerry-rigged version of the Chris Montez classic Let’s Dance and his own “sci-fi romanticist socialist anthem” Vorwärts on the flipside. There’s a lot of kinetic energy here, everything being recorded live with a rhythmatist’s ear for a chugging beat and waves of delayed gratification. Classic trembling Teutonic disco-punk, to my tea-curled ears at least. There’s a similar-but-different dark narcotic tease to Vorwarts, which kind of shimmies in front of your nodding head like a cold war stripper. Again, maybe that’s just me. Something to do with smashing atoms anyway. Two thick slabs of propulsive, edgy sleaze. Use it to lose it.
Dodgy drummer Chris Imler, infamously involved in Spankings and Golden Showers (these are groups) has also previously been associated with work with Puppet Mastaz, Peaches, Namosh, Electronicat as well as being one half of the Driver&Driver duo with Patric Catani, with whom he has toured the world and recently released a double album entitled We Are The World, funnily enough. This year he has also played drums for Soffy O, Die Türen and for Stereo Total in a theatre play. This is not to mention a detour into fine arts with a sound installation with Patric Catani for the Robert Wilson Institute in New York, as well as numerous remixes. (Pete Um)
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